#i try not to give them clicks

[roprot]

those two dudes on Forbes have the cringiest hate boner for RoP

[coldshrugs]

testing me, bad but sweet ✨

happy birthday pigeon (@ahollowgrave) !!

um. i know these are meant to be oc thirst shots but for io, feeling The Most means things are a bit more. involved. :> another (more explicit) one under the cut!

[deoidesign]

vampire and werewolf sitting in a tree

time trav e l i n g

first comes. trying to kill eachother then comes... learning you're his dead ex-lover then comes marriage!

(you can buy the book this scene is from for $15 it's really good. it's the fan favorite of the series!)

[non-un-topo]

Trying to kick my art block by doing the opposite of an easy drawing

[muninnhuginn]

You know what's gonna kill me when we get the inevitable Lu Guang flashbacks?

The fact he's always described as "mature" as his post-dive self implies he must be different now than before. It's hard to imagine exactly what his personality was like before, and if it's written well, he shouldn't be completely unrecognisable. But we know he's been changed.

Imagine a first timeline where Lu Guang just follows along with Cheng Xiaoshi, no attempts to reign him in whatsover. Cheng Xiaoshi having the opportunity to come up with more of his complicated tricks but channelling it into lower stakes stuff like pranks and Lu Guang actually enabling him in that and having fun with it. Imagine tragedy striking when Lu Guang and Cheng Xiaoshi are both allowing themselves to be genuinely happy, no facades.

We know that Cheng Xiaoshi used to put on a brave face in light of his parents' disappearances and what that meant for how he was treated and what he was missing out on. But we also know that Qiao Ling and Lu Guang together have been able to lift that into something more genuine. Imagine a world where Cheng Xiaoshi was able to do the same for Lu Guang. Where they both mutually brought that light into the other's life.

It's still true to some extent in the current worldline, but it's complicated by Lu Guang's own actions. Lu Guang can never be fully honest with Cheng Xiaoshi without (in his mind) losing him forever. But he has to stick by his side in order to have any chance in his hopeless quest. And so, he must distance himself in other ways, protect Cheng Xiaoshi, enforce the rules. Swallow the guilt. It leads to a more lopsided relationship, one where one side is always hiding something from the other and refuses to open up themselves. A relationship that in the original timeline must have been more equal, as partners.

There's something that's been lost here, and it's not just the original Cheng Xiaoshi.

[sassafrassrex]

oh my God i just tried out the tumblr mobile website on my phone's internet browser and holyshityouguys were you hiding this from me??

i just deleted the app fr

[incesthemes]

as i've rewatched seasons 1 and 2 of supernatural i've been pondering and hypothesizing reasons why john was so adamant on not letting sam know about his destiny. why he was so intent on keeping this secret, why he didn't want sam knowing about monsters, why his role in their hunts appeared to be research-oriented and thus away from the action. my perspective on ignorance and censorship is that it enables further harm, so if john were going to effectively protect sam, it would stand to reason that sam should have a comprehensive understanding of his destiny and what he's up against: give him the tools to fight.

this is obviously not the route john went, so then i have to question why that is—what about censorship was so appealing to him that he thought it not only the best way to keep sam safe, but perhaps even the only way to keep him safe, based on how he begged even dean to keep sam's fate a secret from him in his final words?

so i got to thinking. namely, about the fact that azazel wants sam to be hunting: he killed jessica with the intent to drag him back into the life, which implies that if sam is hunting, he is going down the path azazel wants him to go—he's following his destiny. this aligns with the everpresent theme throughout season 1 that hunting is a monstrous lifestyle, that hunting turns people into monsters. if sam is destined to become a monster, then hunting is the most sure-fire way to get him there.

if azazel wants sam to hunt, then john would need to take the logical opposition and keep sam out of hunting—so, he wouldn't tell sam about monsters until he has to, he'd give sam more passive roles once sam is participating in hunts, he'd train sam in self-defense but not explain why. and importantly, he wouldn't talk about mary, who is the root cause of this lifestyle, the impetus for their revenge quest, more than he has to. if the goal is to keep sam as far away from hunting as possible, and if john is someone who thinks ignorance keeps someone safe, then this more or less explains most of how sam was raised: on the fringes of the family, excluded and sheltered.

but weirdly enough, it wasn't until i was reading east of eden the other night that i finally understood the perspective being presented: late in the novel, the character lee says "when the first innocence is gone, you can't stop."

it made me remember that sam picks. he is a character who wants to understand the world around him and his place in it. if something is bothering him, he turns it over in his head until it consumes him. dean places doubt in sam's head in 2x10 and it obliterates him by 2x11. he's convinced he's going to become some horrible monster because he never stops thinking and trying to figure things out. when his memory is wiped in 4x17 and normal guy sam wesson finds out his coworker is the guy from his weird dreams, he pursues him relentlessly until they're back hunting. when he discovers the wall death put in his mind to keep his hell trauma out in season 6, he pushes and can't stop until it starts crumbling around him. he's intelligent and clever and he wants to know everything. and when he doesn't know, he picks.

and the only way to stop a person like that from picking is to not let them know that there's something to pick at in the first place. that's what the quote from east of eden means: once you catch wind of something, you want to pursue it until you're satisfied. curiosity kills the cat.

and what john is up against is fate itself. something that isn't supposed to be messed with, something that's supposed to be unavoidable. so trying to thwart it is tricky business. he has to be careful.

i think working under that logic his response makes sense, even if it wound up being a self-fulfilling prophecy anyway—sam was always going to find out, and sam was always going to pick. there was nothing john could do in the end to stop it, and trying to keep sam ignorant only made him that much more desperate to know. but that's the great tragedy of it all: john was given an impossible choice, and he's a deeply flawed character. he did what he thought was best, and it only made things worse.

i like this interpretation because it ties all of john's choices together really well; it explains a lot about his character and gives a nuanced and rather reasonable explanation for why he did what he did: a dad who wants the best for his kid does what he believes will set him up on the path to success. when the first innocence is gone, you can't stop—so john does his damnedest to keep sam innocent, even to his dying breath.

the problem comes down to that someone's damnedest isn't always good enough, and that sometimes someone's damnedest ends up benefiting the enemy instead.

[savage-rhi]

Magneta????

[beastrambles]

why do ghost hunters all use the same five pieces of equipment..... give the ghosts an ipad you cowards

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

[angsthology]

normalize tagging your story with the accurate and correct tags 😊😊

[ybbag777]

Drawings of Johnny Cade from the last week or so, two are book one is from the musical

Bonus Dally

[quietwingsinthesky]

you know what would be fun enrichment for thirteen. putting her in a time loop starting the moment she lands on gallifrey with the master.

[itspileofgoodthings]

tags continued from prev post.

[manofthepipis]

OKAYOKAY, question because a lot of people have different answers in the Deltarune community and I wanna hear your take on it!

How long do you think the Ads have been around? Time clearly moves differently from the light world versus the dark world, with Jevil being in jail "for an odd hundred years" and the darkners having full backstories supposedly on a portal that seems open yesterday. (Personally, I like to think they always existed and the dark world only made them personally accessible to the lightners [double-sided since they interact daily] within that day. Especially since the "Spamton is 45, May 3rd 1978." headcannon is near and dear to my heart. I love middle-aged men with trauma. I also REALLY like the idea that Spam was in his early twenties when he was at the peak of his fame, (if they have adolecent years of any kind) and then completely fell off before he reached his thirties. Especially since a lot of people consider that to be the prime of their lives.

On that topic, how long do you think the Adds were friends before Spamton went MIA? Do you think they had some type of childhood years? Is there a significant age gap between any of them? How many years did they have a relationship to where his absence significantly impacted their lives like that? I'd love to hear it <3

thanks for asking!! i'm actually rlly intrigued at this topic :D

I don't think the addisons have such a thing as a 'childhood' or 'adolescent years' actually haha like i imagine them as quite literal programs, who once developed by lightners, just kinda spawn into their cyber world, already familiar with how to operate. The concept of age is irrelevant, but is replaced with 'order of appearance'. Honestly i've always headcanoned spamton as the first addison on the scene, with the next following later. (Online advertisements rlly got hot in the early 90's, so there's a definite gap between him and the rest of the ads).

spamton's just always had that middle-aged shady car salesman vibe to him ever since moment one to me.

i'd feel they were around spamton for quite some time before he got his special call, say a couple years or even close to a decade. enough time to have been a witness of the extent of his desperation, while also getting to know the good side of him to max out their regret by the time we meet them in the trash zone.

but like in the concept of time it's so weird from light world to dark world. Like jevil's been locked away for ~100 years but the extra classroom hasn't been unused for that long presumably? That and spamton's whole deal and timeline. Truly, I've pondered that time also gets a metaphoric transition into the dark world, and becomes weird. Kind of like how the light world characters have a set time compared to us, the players, who are waiting 2+ years for their 'tomorrow'. It's kind of like that but for the dark worlds. I'm clinging to time being sort of ambiguous until it's explained in further chapters :D

i do share the headcanon where the fountain being opened let the dark world be accessible, as we get spade king's whole deal of their world being abandoned=the extra classroom closed and then him like hating lightners.

even if i'm completely wrong lol i will die holding the "spamton is a middle-aged guy with trauma" headcanon so close to my heart and everybody else can try to pry it from my cold dead hands :)

[lovecolibri]

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